And this is why Defected is one of the most respected house imprints in the world

More than 20 years ago, they started at the bottom of the barrel introducing some of the greatest house hits of all times into the electronic scene. More than 20 years of building experiences, releasing tracks, and fulfilling dreams. More than 20 years of making history.

Defected Records. This mythical label set up in London in 1999 became the roof of British House by excellence since its first release. Simon Dunmore is the man behind the success of Defected, one of the most important labels in the international house scene. From Bob Sinclar, Roger Sanchez to Noir or Pirupa, Defected releases have marked the different eras of the genre during their 21 years of existence. 

Long associated with legendary house producers such as MK, Dennis Ferrer, Dimitri From Paris, and Masters at Work, Defected is also known for or its 300 000 members, with 120 events and festivals organized each year in Europe and the rest of the world. Yet, if these figures are enough to make anyone’s head turn, Simon Dunmore chooses to keep his feet on the ground. 

Head honcho Mr. Simon Dunmore

As a result of a defect. A brief history.

Going back to the birth of the label, it all started in 1999 when Simon Dunmore, who until then had been the director of AM:PM (label imprint of A&M), quickly took advantage of the particularly fertile British music landscape, driven by a vibrant club scene and good exposure for House and Dance Music in general on national radio. 

But success didn’t come easy. Dunmore and his partner at the time Janet Bell saw the Universal Music Group take over the A&M company they were working for and decided it was the right time to go back to the drawing board and leave the label, in contempt of its notoriety. Defected Records was born.

«The multinational cut our wings and we felt that it was a good time to start doing something on our own. Indeed we defected»

Initially funded by the Ministry of Sound, it is already after their first-ever release “Can’t Get Enough” by Soul Reacher that the track reached No.8 in the Top 40 UK charts. That was the initial confirmation that their gamble was about to pay off. Adding to this, Defected will start signing more artists and names such as AFTC, Bob Sinclar, Banda Sonorra, Dennis Ferrer, DJ Gregory, Inner City, or Sandy Rivera. 

In 2003, Defected evolved into Defected In The House, bringing its concept to thousands of people each year. It was first established in London’s well-known club Ministry Of Sound, which was going to be its home for the three following years, and soon after in London’s Pacha.

The golden years were not over and still aren’t. In 2005, Defected already reached its 100th edition, and to celebrate it, the duo Blaze produced a new classic, the memorable “Most precious love”, with the voice of Barbara Tucker. In the same year, «Finally» by Kings of Tomorrow was voted 31st best song of 2000-2010 by Resident Advisor. Bob Sinclar‘s 2005 song “Love Generation” reached 12th place in the UK singles chart and was a huge hit throughout Europe and Australia, reaching one of the greatest hits of all time in Germany. Soon after, Dunmore arrived at Pacha Ibiza. He took a huge step and managed to establish the Defected concept on the white island. Currently, Defected is still on the white island which massively changed and evolved in the past years. Despite the world and technology changing, Defected found a way to adapt, to satisfy everyone, and evolve in the right way, at the right time.

The great success story.
Checklist on how the label survived.

  • A passionate label manager. Dunmore spent in reality much more time in the music industry. Before Defected Records was born, he spent 15 years as an apprentice, worked in a record shop, worked for a label promoting and prospecting artist, but most importantly, during all this time, he was already preparing the launching of Defected.

“I wanted to be master of my own destiny, and 20 years later I’m still doing what I love.”

  • Dunmore’s straightforwardness. When it comes to business, Dunmore is known for having a rigid character. Without a doubt, that positively influenced the success of its label. He has learned to tell the truth and to tell it quickly, even if it upsets. He learned to say it early enough so that a situation like not booking someone again, can still be turned around.

“Having been in the industry for 30 years, and having invested my life into it, if someone doesn’t deliver, I should be able to have an opinion on that.”

  • A label that emerged. As mentioned earlier, the world has evolved. Digitalization arrived, and all of a sudden, people started downloading music, but that didn’t mean that nobody listened to CDs or vinyl records anymore. There simply was a way to satisfy everybody and Dunmore found it. Musically speaking as well: the music they released in 2012 is very different from the ones they released in 2002. Few labels have managed to adapt to the evolution of music the way Defected has.
  • A label defined on how well they rise after falling. Despite its glory days throughout its early years, a massive phenomenon which is now known as the «EDM boom» profoundly changed the electronic landscape. This evolution has strongly favored the development of genres whose styles are strongly opposed to Defected‘s. The label has thus seen its activity decline and most of the producers left the traditional house. This relative loss of visibility and revenues did not prevent Defected from pursuing an authentic artistic direction, with the notable release of Solomun’s remix «Around» by Noir & Haze in 2012 or the release of the mega-hit «Cola» by Camelphat and Elderbrook in 2017, that broke every single chart.

Overall it is clear to say that Defected has crossed rough waters to become the super-brand it is today. To remind ourselves, their releases have been charted by brilliant artists being, Danny Krivit, David Penn, Dennis Ferrer, Loleatta Holloway, Roger Sanchez, Fatboy Slim, Guy Berger, Hot Since 82, Monkey Safari, SteveBug, and thousands of more. Twenty years after, Defected is still standing and seems more powerful than ever. This was shown through their development of several sub-labels such as Glitterbox, DFTD, Soul Heaven, radio shows but also through their presence at parties and festivals like Defected Croatia and Defected London. More than a label, it’s a whole universe that has been created around the brand.

Among all the glorious tracks that have been born within the Defected family, theBasement has highlighted some of their favorite Defected classics:

Bob Sinclair – I Feel For You (2000)

Soul Central – Strings of Life (2005)

MD X-Spress – God Made Me Phunky (2008)

Junior Jack – Es Samba (2009)

Shakedown – At Night’ (2001)

Soulsearcher – Can’t Get Enough (1999)

We could be posting tons of them during hours, as the catalog is so large that it would take a few days to be fully played.

A very special moment during these difficult times of lockdowns. Make sure to watch Simon Dunmore’s virtual festival with his two sons sharing his passion. This must be the ultimate father & son goal!

And just to sum things up, let’s finish this homage with one of the biggest figures in the House Music world, Todd Terry, delivering a full house classics set at Defected Croatia 2019, that surely will put a smile on your face.

Presente, pasado y futuro de la escena. Nos lo cuenta Victor Soriano

Hablando esta semana con Victor Soriano e interesándonos por su salud en estos tiempos que corren, nos contó que se cumplen 13 años del arranque de su querido Camarote. Trece años de marcha ininterrumpida… se dice pronto.

Pues con motivo de ello este viernes 1 de mayo nuestro amigo Victor se une a otro de los grandes estandartes de la escena radiofónica española, como es Dj Bee (con su Bee Live World), para platicar sobre el presente, pasado y futuro de la escena e industria House en España. Así como, claro está, el desarrollo en estos años de los extensos programas  que dirigen ambos en las ondas FM de nuestro país desde hace más de una década.

 

 

 

 

 

 

Un mes  de mayo en el que 2 de los programas House más veteranos de la radiodifusión española cumplen 13 (El Camarote) y 14 años (Bee Live World). Y debido a la situación actual y que resulta imposible poder celebrarlo, han decidido juntarse vía streaming durante una hora. Será el viernes a las 17:00 horas y podrá verse en los canales de WHO IS IN DA HOUSE , Bee Live World , El Camarote Radio Show y las páginas de ambos artistas. Por supuesto se escuchará también en los diales FM de Who Radio en España.

theBasement y SmartRide cruzan sus caminos en Spotify

Nuestros queridos amigos de SmartRide (y orgullosos patrocinadores de theBasement), vuelven a la carga con más y mejores noticias. Los líderes absolutos en servicios integrales de movilidad urbana en vehículos eléctricos, dan el salto a Spotify con una selección de playlists diseñadas para no sólo poner la banda sonora en sus tiendas y talleres, si no para acompañarnos en nuestras horas de estudio, de relax, de ejercicio o de viajes en patinete.

Selecciones matutinas que sientan mejor que un café doble, playlists para trabajar con el estómago lleno, o inyecciones de energía para el fin de semana. Estas playlists han sido creadas y curadas con todo el cariño que nos caracteriza, y serán actualizadas de forma semanal… Así que ya sabes, si quieres nuevas playlists para tu Spotify, dale un repaso a lo que hemos estado cocinando.

Encontrarás perlas desde Bonobo, Nightmares on Wax o Fort Romeau, pasando por subgéneros y piezas más animadas a cargo de Peggy Gou, Moodymann o Armand Van Helden. Selecciones que bien se merecen un follow!

Te invitamos a echarle un ojo y descubrir nuevas playlists, cargadas con nueva música, que iremos actualizando de forma recurrente.

The leaders of the Latin American electronic scene

Tango, cumbia, champeta, bachata, salsa, samba, and bossa nova… You probably guessed it, we are heading to Latin America. A continent where the electronic scene is booming right now.

In recent years, festivals have multiplied, artists have been emerging and labels have been growing in the electronic music scene. A musical genre that is far from the continent’s distinctive Latin sounds. Successful amongst young people, the countries of South America are hosting more and more festivals that attract world-renowned artists in the electronic scene, despite being the capital of reggaeton, a purely Latino urban style. This success is a symbol of a change in Latin American society and especially for its youth.

A journey that started in the heart of Argentina

It all started around 2005. During this time, various artists producing electronic music, mostly in Argentina, became somehow really assertive. They usually proposed a new mix between folk, popular and electronic music. Among those artists, Faauna for example, who are known for their taste for cumbia Villera and Drum & Bass and El Remolón, a producer of minimal techno. Eventually, all these artists were brought together by the Zizek Club, which started in 2006. This weekly party took place at the Niceto Club, which was the only space where these artists could perform at the time. After 3 years, the Zizek Club gave birth to ZZK Records, which quickly established itself as a pioneering label in electro-folklore, using dazzling visuals and offering new, intriguing and rhythmic music.

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The activities of ZZK Records now extend to the entire Latin American continent and is one of the most influential labels in Argentina and more broadly in South America. Ecuadorian Nicola Cruz for example, had the whole world’s attention in 2015 with his hypnotizing track «Cumbia Del Olvido».

 

Electronic scene thriving in Colombia

The biggest influence on Colombian electronica is certainly Sidestepper. The project formed in 1996 when British studio engineer and Peter Gabriel collaborator Richard Blair linked up with Colombian singer-songwriter Iván Benavides; the innovative albums that resulted from this partnership fused electronic beats with performances by Colombian musicians, paving the way for the nueva musica Colombiana to come, and since then, it came a lot!

By creating Baum in 2013, one of the most renowned electro clubs in Latin America, Columbian Hernán Cayetano contributed to the development of the genre, particularly through festivals that he’d been developing since 2015: Baum Festival, BreakFest in Medellín and the famous Tatacoa desert. Julio Victoria is also one of the major actors of the electro scene in the country. Starting in the first electro clubs of the capital such as Radio Berlin, Billares London or the Baum, he’s developing today the project Julio Victoria Live mixing electro and instrumental.

“Latino music and reggaeton are the most widespread and appreciated musical genres here, but Colombians are getting tired of it.”

Says Hernán Cayetano. “As soon as we opened the club, techno became trendy again, with a very curious audience. I think it was the perfect time to seize this opportunity.”

Big In Japan. Contrary to what its name suggests, this Colombian label is intended to promote the alternative electronic scene in Latin America. The history of the label takes shape in 2018, when two former Ninja Tune members – Seb Jenkins and Liam Nolan – reconnect 13 years later, the first lives in Bogotá and the second in Berlin. The two decided to set up their own record label together. On that year, the German-Colombian project gave its fourth production after fabulous EPs by the Colombians Cero93, Dani Boom and La Payara: a release produced by Mati Zundel (Lagartijeando), an Argentinian artist influenced by the European electronic scene and traditional Colombian and Argentinean sounds.

Lately, also established in Argentina and after wandering around Berlin, Barcelona, and Brazil, it is the creator of techno, minimal and progressive that drew international attention among the Colombian archetypes, along with J. Cruz (residing in Chile), Alex Young and Paisa Sano.

The revival of the Chilean scene

 When we talk about Chile, we inevitably think of the great figure of socialism, Salvador Allende, the committed writer Roberto Bolaño, or the all-round artist Alejandro Jodorowsky. But Chile is also and above all an electronic music scene which, after emerging at the end of the 90s and then going through a period of stagnation, is in full revival. The evolution of a country’s culture is often linked to its political history. This is especially true for Chile. Back in 1973, repression was legion and, in the years that followed, many families left the country for Germany. Most of them settled in Cologne, a city where there is still a large community of Chilean origin. With emulation helping creativity, artists such as Matias Aguayo emerged and were supported by major local labels such as Kompakt Records. Their productions will be of minimal and microhouse inspiration. Matias Aguayo’s trademark comes from the fact that he doesn’t hesitate to use Latin sounds and to put his voice on his sounds, which allowed him to modernize the approach of tech-house and will inspire many other artists.

Of course, alongside Matias Aguayo, how not to talk about Ricardo Villalobos. Unlike Aguayo, Villalobos went into exile in Berlin. It was thanks to a Berlin label, Playhouse, that he gained notoriety in the 90s. Still in Berlin, it’s the label Cómeme Records (directed by Avril Ceballos and Matias Aguayo in 2009) that started to get a lot of attention from certain artists such as Rebolledo, Iñigo Vontier, Daniel Maloso, and Alejandro Paz.

In recent days, it is Pía Sotomayor, producer of some of the best festivals in Chile, radio presenter and DJ, that selected the best and emerging talent in Chile. She has performed in most of the nightclubs in Santiago, as well as at parties in New York, Buenos Aires, Lima, Colombia, CDMX, Tijuana, London, and Melbourne. In her selection, artists such as Andrea Paz, Tomás Urquieta, Quasio, Ochi, White Sample or RawC all deserve to be heard.

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Mexican Grooves

In 2015, Mexico started to become a growing market, respectively the 4th country streaming the most electronic music on Spotify. Mexican producers of electronic music have made a lot of effort in the last fifteen years to attract international attention and be part of a more global scene. Mexico City is a city that has been consuming a lot of electronic music since the eurodance of the 90s, then all the progressive sounds of the 2000s, the EDM in 2015, and now the electro-house beats (at least 5 festivals have been devoted to it this year). As a result, it’s a natural progression, from Nortec (late 90’s early 2000) and NAAFI (early 2010) to Rebolledo and Louie Fresco (late 2010’s-now), just to name a few collectives that makeup «movements» in the country.

Since 2016, the Mexican artist Hotmood has never stopped to flourish and now has more than 20 vinyl in different labels. “The style that reflects my productions is combining slo-mo boogie, groove-laden disco, quality house, 70’s funk, and deep sounds». It is after reigning for 25 years in the music world, that the Mexican producer presents his new imprint Discoweey, a record label which is focused on releasing Funk, Disco, House beats. Hotmood’s journey is far from being over, in fact, he is ready to star in a future release with theBasement Discos, so be ready!

If you didn’t already know, Producer and DJ Alberto De Santiago, professionally known as Never Dull also coming all the way from Mexico, believes that music has the power to heal and enrich people’s lives. Merging Jazz, Disco, and House he is on a mission to produce feel-good vibes music with a funky soul. Young Alberto started to shine under the spotlight in the late 2017 thanks to his two self-released singles: Really Think about it and What is Jazz? generating a combined one million streams on various digital platforms. Following his first DJ performances in Europe, like in Switzerland, England, France, and Spain, Groovin’ EP was released in May of 2019 by theBasement Discos. If you still haven’t, make sure to listen to it!

 

To end this incredible journey, we can say that the music scenes in capital Latin cities such as Quito, Lima, Mexico City or Bogotá are exploding, and young artists are mixing their cultures and origins with musical influences from all over the world. This is the perfect recipe to make music more and more interesting. 

Today, clubs like Laroc, Warung, El Fortin (in Brazil), Crobar, Cocoliche, (in Argentina) Baum, Octava, (in Columbia) Mamba and La Feria, (in Chile) are all examples of fantastic places to go and enjoy a good party in the Latin electronic scene. When looking at the musical history of independent record labels, there are some that stand out for leaving a special mark and generating unconditional followers. In particular, Music Garden Records, Minimalistic Art Records, (from Columbia) Casa Del Puente Discos, Alma-Electronica, Castelar Discos (from Argentina), Static Discos and Abolipop Records (from Mexico). From techno cumbia to deep house, these labels of today have stood firm during all this time.

So, the electronic scene is still evolving. Although it remains very underground, its representatives are present on bigger and bigger stages, in front of a growing audience. Nicola Cruz‘s presence at the Sonar festival in Barcelona, Bomba Estéreo’s collaboration with Will Smith in 2015, Guacamayo Tropical in Madrid, and the success of Movimientos in London are just a few examples. We’re rediscovering the richness and power of Latin American culture through electronic music, and it’s great!

The future of French House Music. Welcome to the next generation.

Oh dear Lord, the good old days…You might have heard people calling it French House while others would call it tech funk or even filter house. These terms are probably familiar to you but the most popular one is French Touch.


« We give a French touch to house »

It was the slogan printed on the back of a jacket created in the 90’s by Éric Morand for the Fnac label. British journalists popularized the term and contributed to the spread of the movement.

This French house of the late 90’s early 2000’s, remains a sound that holds a certain cliché to it. 

In quick words, French House is made with a good disco tempo, a slight sad vocal gimmick, usually, a black female voice that repeats the same phrase throughout the track, as well as filters. Lots of filters.

A brief history:

Laurent Garnier, Motorbass or Cassius, those are names that should mean something to you and probably heard of. That is because, from New York to Tokyo, from Milan to London, they made the world dance and were on the front page of magazines. French rock has never really managed to get out of its borders, but it’s in the late 90’s- that the DJ’s and house producers started to breakthrough.

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Philippe Cerboneschi “Zdar” composed with Hubert Blanc-Francard “Boom Bass”. They became the inevitable Cassius duo but also became a household name in the French electronic music scene as soon as their debut album came out. Mixing hip-hop, house and funk.

Two sparkling helmets, no eyes to look at and barely a metallic hand to shake…More than a band, Daft Punk is a concept: a pair of robots that have been reigning over electronic music for more than 20 years.

In the early 90’s, the two accomplices, Thomas Bangalter and Guy-Manuel formed their first group. Advised by Daniel Vangarde, Bangalter’s father of Bangalter, Darlin’ (the name of the group at that time) released their first record. It is in the legendary bible of the music press, Melody Maker, that a journalist refers to this first record, and qualifies their music as «daft punky trash». The name is found, the legend is on the march.

By 2005, the sound of French Touch had been watered down by mainstream pop and hits such as “Confessions On A Dance Floor” by Madonna were ruling the era. For the pioneers, the golden age was well and truly over.

“I remember going to a record store, listening to 200 records, and all of them were shit,” Recalls Zdar. “French Touch became a recipe, and it got too easy – just like punk.”

That being said, legends remained, Daft Punk are still in shape (even though their last productions were released on 2013), successors such as Justice and Breakbot have managed to restore the French reputation, and labels such as Ed Banger, make sure that things keep moving forward. But those are just a few names who made the French House scene one of the most prolific hot spots in the world. DJ Mehdi, Bob Sinclair, Busy P, Simian Mobile Disco, Digitalism…The list is long. They were all part of that second generation that hatched the world. 

The rise of the new school.
The next French House generation.

The tender age of French Touch may have gone, but it surely left an enduring imprint in today’s music generation. It’s time for the rise of a new generation, more digital, savvier, with great access to production tools, to digital distribution and self-promotion that has led France to a new wave of House Music fever. From independent record labels, to music collectives, music events or DJ’s and producers; everyone is demonstrating that the French house scene is surfing the wave again.  

The French Touch sound got a port side blow and was capsizing. But them French garçons don´t seem to rush ahead to find the next formula to make them feel noticed. Plenty of young producers have emerged in France. At the forefront, a bunch of them seem to work magic in what they do.

Part of the recent renaissance of young French House producers is Folamour, an artist with a deep love for all music. His passion is demonstrated across the many edits, remixes and original records he produces, and his recognition along the international scene has become a reality and his name is one of the most wanted performances for festival acts. 

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Bellaire for example, represents the brand new generation that we love, full of energy and most importantly with the goal to replenish house music. This French talent has been producing sound for quite a while and he’s been reaching ridiculous numbers on the streaming platforms. (Over 6 million hits on YouTube for his track Paris City Jazz)

“I started the Bellaire project about 3 years ago, it’s very close to my heart! The event that initiated my launching was the release of the track «Paris City Jazz».”

Singer and producer from Paris, Larry Houl is another musical nugget from our generation. Also a DJ, his musical selection varies between house, disco, funk, jazz & soul. Since its creation, Larry Houl has been producing via SVO and under his own name. In 2016, he released his first songs including «Acid Berber»(D.KO Records), followed by «Objectif Andromède» in 2017 with its label UnderGroove Records. In 2020 he arrived to theBasement Discos with a brilliant EP who called the attention of Mixmag, who uploaded one of the tracks to its YouTube channel.

Also from the capital of France, we have Martin Alix. This young producer’s music is much influenced by the French Touch era. His love for house disco can be shown and for sure brings an uplifted and joyful atmosphere to the dancefloor. His previous productions have been released by Nervous Records and Eton Messy, and he recently debuted in theBasement Discos with three magic groovy bombs in a way every clubber desires. 

Another one to look for is Lyon-based producer and DJ Mangabey. Someone driven since childhood by a growing passion for jazz and African-American music, he’s been distilling his groovy house for several years all over the world, with amazing releases in some of the top notch record labels in the scene like Toy Tonics, Boussole Records, Sundries or Apparel Wax. 

Vitess at his studio during Coronavirus breakdown before a livestream session.

French Touch had its time but is still showing through todays’ incredible artists which are claiming their part of attention through their music. Names like Le Hutin or Vitess are gaining popularity due to his high quality productions. Others like Crowd Control, Maxye, Majuscule, Deborah Aime La Bagarre, Wikett, Zeleke, Willowman, LOG, Kamêon, Tomaas All or Le Bon Groove keep raising the French levels up due to their constant releases in record labels around the globe. But also record labels are screaming to be recognized while keeping the French sounds emerging. Just to name a few that deserve a shout out are Happiness Therapy, Pont Neuf Records, De La Groove, D.KO Records, Imported Recordings, Boussole Records, Cracki Records, Egregore Collective or Le Bon Son Records, whose amazing underground essence is keeping the French Touch alive, despite the passage of time. 

Kerri Chandler and Crowd Control during the 6th anniversary of Happiness Therapy.

theBasement’s radar has been beeping at this flourishing new music scene, and it will not stop staring at the exciting French wave that is taking place at the moment. Good energies, great music, and amazing talent united in this exact moment of time. Good job y’all!

French Touch had its time but it still looks in shape. Vive la France!

 

La música no para: 10 álbums nuevos para escuchar en casa

Todos estamos de acuerdo en que la música es fundamental para la vida. En estos tiempos difíciles, este hecho se pone más de manifiesto. Este arte ameniza nuestros días y los hace más fáciles.
Y como también es tiempo de empatía, yo he decidido aportar mi granito de arena, recogiendo en este post algunos de los discos que más estoy escuchando estos días. Enjoy!

Suddenly de Caribou
Aunque no es tan nuevo, sí es uno de los que más escucho. He perdido la cuenta de cuantas veces podré haber escuchado ‘Home’, el primer track que salió y sin duda mi favorito. Dan Snaith ha hecho un trabajo que es brillante porque tiene una base de ideas muy sólidas; ’Suddenly’ hace referencia a la rapidez con la que cambia la vida, y entre los temas podemos leer conceptos como la muerte o el feminismo.

Sixteen Oceans de Four Tet
Podría decirse que ‘Sixteen Oceans’ es una especie de BSO de esta cuarentena, su lanzamiento coincidió con el inicio del confinamiento en nuestro país. Este mismo hecho hizo dudar a Kieran Hebden de si era el momento adecuado para sacarlo, pero la acogida que ha tenido entre el público le ha dejado satisfecho. Es un álbum melódico, tranquilo; perfecto para escuchar en casa.

Cenizas de Nicolas Jaar
Este disco podría ser un fiel reflejo de la situación actual. Quizás porque Jaar ha producido este álbum aislado de la sociedad, en un intento por desprenderse de la negatividad de su vida. Al final lo que pasó es que es esta negatividad la protagonista del disco, donde el artista ha conseguido crear un aura donde los tracks están envueltos por una especie de jazz futurista, psicodelia y existencialismo.

OTHERLiiNE de OTHERLiiNE (George FitzGerald, Lil Silva)
OTHERLiiNE es el resultado de la unión de George FitzGerald y Lil Silva. Su primer trabajo, homónimo al nombre del proyecto, consta de 5 tracks + 2 interludios, y salió por Ministry Of Sound en enero. A mí personalmente siempre me parecen buena idea las colaboraciones entre artistas, sean del género que sean.

Fabric presents Maribou State (DJ Mix) de Maribou State
En este caso no se trata de un álbum en sí, sino de un dj mix. Pero me flipa Maribou State y este mix de la serie de Fabric tenía que estar en el post. Tenemos un total de 22 tracks, entre los que podemos apreciar algunas grabaciones de las noches en el club. Incluye, por supuesto, el último trabajo de los británicos: ‘Mother’.

Lys de Christian Löffler
Otro que salió al inicio de la cuarentena y que nos ha acompañado desde el día 1. El cuarto trabajo del alemán salió el pasado marzo vía el sello Ki Records. El título del álbum es la traducción de una palabra danesa, y significa luz. El hecho de que la luz es diferente en el norte de Alemania es el concepto del disco. Además de su propia voz, también podemos escuchar a Josephine Philip, Mohna, Finn y Menke.

Fuego Nuevo de Nicola Cruz
Es uno de los artistas más fáciles de reconocer. La fusión de sonidos latinoamericanos con electrónica es su seña de identidad. Esto mismo crea también muchos detractores, que defienden que todos sus tracks suenan igual. Es cierto que no es uno de mis productores favoritos, pero ‘Fuego Nuevo’ es un buen trabajo.

Economy de Man Power
‘Economy’ es el segundo álbum del productor inglés. Estaba programado para que saliera en octubre, pero la pandemia ha hecho que sea prematuro y que lo podamos disfrutar ahora que todos disponemos de más tiempo. Un total de 8 tracks que salen por su propio sello Me Me Me.

Y sería imposible no incluir en este post los dos últimos lanzamientos de esta casa. Sabemos que no está bien presumir, pero cuando las cosas están bien hechas hay que decirlo. Tuesday Brunch y DJ Streaks son los encargados de hacernos bailar estos días. Perfectos para ponértelos el fin de semana.

Early Evening (TBX018) de Tuesday Brunch

Chapter Three Edits de DJ Streaks

Y así como extras os dejo estos dos sencillos, que aunque no son álbum, también me apetece que estén en este post. Os recomiendo apreciar los visuales de los vídeos. ¡Cuidarse!

Atlas de Bicep

Eyes Of My Mind de Axel Boman

Having a chat with Italian duo Supernova, and listening to their new EP.

Italian DJs & producers duo Supernova seems determined to explore the boundaries of house and they are not afraid of experimenting with different sounds on their different record labels (Lapsus Music, Downtown Underground and Blackboard Recordings). Any Supernova production is sure to demand your attention, making their sound one of Europe’s most unique and exciting ones. Their last release «My Vision EP» on 8bit is one to look at, so here we are, having a chat with them in order to know them a bit deeper.



What we would first like to know is where? Where did the Supernova project get started?

We started in Florence in 2003 when we released our first album Afterbeach. We are both born in Florence and at that time Emiliano was living in Florence while Giacomo in Milano. We recorded the album in Milan’s studio, but we celebrate the release with many live set in Florence.

How do you remember your very first steps in the industry?

Well, the release of the album Afterbeach was a great moment for us as we put a lot of effort, ideas and passion in that record and was quite happy that one of the track of the album, the cool remake we did of “Save a Prayer2” from Duran Duran was played by all the major radio stations in Italy while another track was included into a compilation by Giorgio Armani.

Is there someone that taught you your studio skills when you were younger?

No we have learned everything with the experience, perseverance, hard work and a lot of passion for the music.

Talking about the studio. What piece of rare gear are you still looking for?

It’s full of great things out there that we would love to have, but something that we always think we should get is a hardwire outboard compressor and EQ. But the good ones are crazy expensive…

When working on new stuff in the studio, do you start out with a certain predetermined idea, or do you just improvise?

Sometimes we start from a groove that we like, sometimes we work around an acappella or a sample and sometimes we have an idea in mind, like a direction or a mood we want to go.

What influences did your home country Italy have on the music you now make?

Italy has always been great place for the club culture and we had the chance to enjoy some of the best house and techno parties in the 90’s.

You’ve been playing all over the world for some time now. What’s your favourite place to play, when considering the different crowds and locations?

We are playing a lot in South America lately and there the crowd is really hot every time. We also love playing home at our new event called Visionair in Florence. Last but not least we enjoy each time we play for elRow and lately we loved The Jungle Experience in Koh Phangan.

What Italian club should everybody visit at least once?

Italy is full of great clubs, we would suggest some of the best we have played for : Visionair @ Kauffman Klub (Florence), Tenax (Florence), Amnesia (Milan), Phi Beach (Baja Sardinia), Dok Show (Bologna).
Thanks a lot guys, hope you have a great confinement time, and this new EP goes great.
Time to enjoy the piece! A solid two-track EP with a pretty old school vibe, including the features of UK singer Medusa. An outstanding banger that the dancefloor will appreciate!

Stream or buy it on any major platform here.

Queda aplazada hasta Septiembre la celebración de Días de Campo 2020

Tomamos esta complicada decisión porque creemos sinceramente es lo mejor para todos los camperos y camperas, después de analizar detalladamente la situación, teniendo en cuenta la evolución de los últimos días, y tras examinar el horizonte futuro.


Volveremos con más fuerza que nunca. Palabra campera ♥️ Agradecemos de antemano todo vuestro apoyo y comprensión, mientras deseamos que vosotros y vuestros seres queridos estéis a salvo.

Nos vemos en Montanejos, el último finde de Septiembre 2020 ? Cualquier duda o consulta, la podéis remitir a info@thebasementxxx.com e iremos contestando lo antes posible. El periodo de solicitud de reembolsos se extenderá hasta el día 23 de Abril.

ONE LOVE ? STAY SAFE

Vitruvian Man; WheelUP’s broke rhythms that make you dance

“Vitruvian Man” is the brand-new single from broken beat producer WheelUP aka renowned international DJ, drum & bass producer, and head-honcho of W10 Records – Danny Wheeler. Following on from the success of his feel-good anthem “Self Healing Machine” which was praised by DJ Target (BBC 1Xtra), Dummy Mag and John Kennedy (Radio X), “Vitruvian Man” demonstrates WheelUP’s flair for heavier and darker side of bruk rhythms.

“Vitruvian Man” was debuted to the world by broken beat legend Lord Byron on CoOp presents: Selectors Assemble (Worldwide FM) alongside IG Culture. Inspired by Leonardo da Vinci’s iconic art piece, which expresses the seen and unseen, the connection between material/physical and spiritual worlds, WheelUP’s “Vitruvian Man” uses this as a vessel for his production. The big difference between doing your own beats, or when others buy beats.

“Like with the music, it’s here (sound) and not here (non-physical) at the same time, like human life exists in the material (body) and conscience (mind)”, Danny explains, “it’s an esoteric idea but I like it, also its proportions to the human body and also sacred geometry”.

Time for you to enjoy this brilliant piece:

House favourite Purple Disco Machine reveal a funk-heavy remix of ‘Mont Blanc‘

Good music to fight the bad times. House favourite Purple Disco Machine reveal a funk-heavy remix of ‘Mont Blanc’, the latest release from Mind Enterprises. The original version of the track was released last week and has already received support from Pete Tong, Erick Morillo, Guy Mantzur, Adana Twins and LUXXURY.

Mind Enterprises will headline London’s The Victoria on 1 May as well as taking to the road to join indie-electronic band Confidence Man on their huge and highly anticipated tour this spring.

Drawing from the synth-powered Italo that defined the era, ‘Mont Blanc’ is fuelled by groovy, disco-adjacent basslines, spellbinding drum patterns and cosmic odysseys that traverse continents. It follows the release of his razor-sharp EP ‘Panorama’ in November last year, and further hones in on his intoxicating new sound that represents a more spontaneous approach to songwriting.

Mind Enterprises said: “The question that inspired me working on ‘Mont Blanc’: what if Kraftwerk wrote one more song for their great Trans-Europe Express LP, but they made it disco?»

Mind Enterprises is the aesthetic universe and musical dreamworld of Turin-raised producer Andrea Tirone. Born in 1985, Tirone perceives his ever-growing collection of vintage synthesisers like a “palette of colours”, or an orchestra of performers. “Every single machine has a distinctive sound that is exclusively the sound of that machine”, he says, describing the charity shops in his new home of Las Palmas de Gran Canaria as “heaven”, and noting how he has bought “a few things for really stupid prices”

The live universe of Mind Enterprises is just as colourful and larger-than-life as his songs and videos, featuring an abundance of analogue synthesisers and pastel shell-suits. Mind Enterprises is currently working on a new album that gleans influences from ‘80s Italo greats like Kano and is lightly tempered with the pulse of 90s dance-pop’ – due to be released later this year.